A little after the fact.
Halloween just ain’t British; when I was growing up, my dear old Ma would grudgingly let us out trick-or-treating with a lecture on how begging door to door for sugary treats was the height of yanqui vulgarity. Whilst more than happy to take sweets from strangers, I’m rather suspicious of anything involving fancy dress; it has a bit of a forced-jollity, hen-night, zaniness-within-socially-acceptable-boundaries thing about it with offends my natural diffidence. However, All Tomorrow’s Parties’ Release the Bats took the edge off my Halloween reservations. I had a jolly good night of it, even though every Friday evening’s schlepping down to London for an antidote to my provincial seclusion is a reminder of exactly how washed out and prematurely middle aged I’ve bin getting.
Anyway, Les Savy Fav as zombie riot police and Shellac staying in character throughout their set as drumming vampire, bass’n'grunt frankenstein, and wire-framed spectacle wearing mummy were nerd rock child-like delight made flesh. Good, traditional, home assembled, efforts. I call bullshit on about 75% of costumes out there. First against the wall: Shop bought, especially with whimsical pop cultural references, extra-especially those from the thatcherite demon decade in which I was born, super-extra-especially the chap who spent half the evening with his inflatable ghostbusters backpack thingy rammed up my nose. Have the dignity keep your unimaginative, freudian fetishization of the consumer culture trash of your infancy guiltily hidden. Also for the chop: Priggish burlesque girls, who I suspect think themselves rather more clever than the sexy schoolgirls, pirate wenches, naughty nurses and assorted other eroticized types traditionally wheeled out for slutoween. With the honourable exception those baring themselves as Babe-raham Lincoln or the Willendorf Venus, these pedestrian prurients are about as grubby and arousing as the unfortunates who have put really far too much effort into their Harry Potter costumes.
Boring as it is, there’s something fabulous about trad halloween costumes. The nostalgic rustle of lavatory-paper mummy wrapping, the whiff of corn-syrup based blood, the itch of non-hypoallergenic zombie make-up all set my little booshwa heart aflutter. These wrap up childhood thrills, classic style and FUCK YEAH ZOMBIES without being subject to the irritating vagaries of fashion. Mind you, in the context of All Tomorrow’s Parties, they also give rise to the terrible fear of being done for by hipster undeads. Just too shaming a way to go. If only one could be a zombie every day, life would be so much more fun.
Anyway, the bands. Lightning Bolt was a big draw, so I was disappointed to only catch a fraction of their set, and most of that paltry hit I got in the bloody coat queue. Poor showing by the schedulers, all though I understand that logistically, if one of the bands needs to play from the floor, it makes sense to put them on first. I would have been more than happy to give up the overhyped nostalgia noise of Pissed Jeans or Wooden Shijps‘ capable but not thrilling psych-garage. The admittedly fantastically named former had a strong trust fun whiff about them, the latter just failed to grab my interest. Might just be being grumpy though, could be the comparison with what came later. Om again didn’t seize me by the collar and shake me. For some reason the vocals put me in mind of the croaky bit in Shakespear’s Sister’s* Stay. Although the comparison didn’t last a playback, it was enough to really put me off; my cousin played Stay solidly throughout 1992. It was a hard year for all of us. Om make claims to being ‘devotional’, play five hour sets and are beloved of marijuana users. Either they’re pretentious or I’m dumb. Oh dear.
Given my Om reservations, Les Savy Fav’s party rock silliness was welcome. Lots of mucking about with balcony climbing, trouser removal, blood smearing, hats and gimmicky showboating that a lesser band would not get away with. The reason that so much Brooklynite white boy nonsense is so loathsome is that when all the navel gazing and referential obsession works, it is amazing. It usually doesn’t, and by comparison, it’s horrid. Les Savy Fav work, and as such are leaders in the field. I want to hate them for it, but they’re just too shiny and danceable.
The nerdiest band in the world are Shellac. They play jagged, acerbic guitar rock, and lyrics tend to detail middle-aged white male anxiety and agression. Steve Albini takes his music very very seriously and can be a bit pompous in his pronouncements. Despite the general offensiveness of the concept, they’re a truly great outfit and very enjoyable to watch. There’s a rambling eulogy to the barely-deceased Studs Terkel, and lots of swirly noise that switches on the part of the brain that makes one jump on one’s friends and shove them about cheerfully. There’s the communal kick of seeing a cult band live up to their reputation. There’s a real sweetness in their evident enjoyment of the fancy-dress schtick and gratitude to the audience breaking through the studied late-70s disdain. It was lovely.
*The goth Banarama